![]() ![]() Most recently, cultural heritage projects have also transformed past remains into an aesthetic space of consumption, mainly linked to the tourist industry (Walsh 1992). ‘There is rather a hegemonic discourse about heritage, which acts to constitute the way we think, talk and write about heritage’.ĭiscourses on the past have been particularly fruitful since the 19th century, strongly linked to power legitimation, national ideology and identity (Evans and Boswell 1999 Fladmark 2000 Rowlands 2002). ‘There is, really, no such thing as heritage’, says Laurajane Smith, at the start of Uses of Heritage ( 2006: 11). ![]()
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